Manual focus and manual aperture. - ZEISS world class optical design. - Harmonious bokeh for magic
out of focus - Cine-style focus and aperture scales on both sides of the lens barrel. - Expanded focus mark
spacing for precise follow-focus. - Calibrated (one to one) focus scales. - Standard cinema 95mm Front Mount.
Full-Frame 24x36 coverage. - Canon EF/ Nikon F mount. - Available with metric or imperial scales.

High-Speed Lens / Super Speed

Impressive photographs captured in low light always begin with a fast lens for a system or a motion-picture camera. Because a fast, high-performance lens captures as much light as possible. And a lens with a large maximum aperture leads
to the best results when shooting in unfavourable light.

Ideal aperture with nine blades

Filmmakers want to guide the observer through the image. Minimal depth of focus is often used as a emotional
element. This keeps the background intentionally blurred to keep the attention of the observer on the main subject.
These different representations of the blurred areas, as well as the quality of the transition, are referred to as
the Bokeh of a lens. The finely tuned features of the optical design on the 50mm lenses ensure
a particularly harmonious effect of the blurred areas of the image.
The nine diaphragm blades and the resulting, virtually circular aperture on the 50mm lenses are crucial
to favorable rendition of highlights in the fore and background.

Excellent image quality

The 50mm lenses offers the highest possible standards in terms of performance, reliability and, of course,
image quality. Quite simply, they are superior in every way. You can count on highly advanced flare control
for crisp and brilliant images, for example. And virtually zero geometric distortion, ensuring precise accuracy when
reproducing shapes especially useful when photographing products and architecture.

Elaborate stray light reduction

Rich, vibrant colors are vital to creating a lasting impression. Stray light in the lens, however, would lead to a
brightening of the image, which is particularly visible in shadow areas. Image contrast is lowered; the image appears
dull and bleached. We combine various, elaborate techniques to reduce unwanted stray light.
For example, all lens elements are coated with latest technology anti-reflective coating.
Additionally, a jet black special paint is applied by hand to all lens element edges to ensure that reflections
are prevented from the start.

High-quality all metal mounts

Noticeable quality and high value stability qualify PrimeCircle lenses for decades of intense use.
The high-quality craftsmanship of the all-metal mounts, the easy-to-grip metal focus and geared aperture ring and the robust cine-style 95mm Front Mount ensure an amazing cinematography experience.

$ 1.599,00 + shipment / duties
€ 1.349,00 + vat